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Sharps and Flats
In Simplified Music Notation, flats and sharps are represented by
their own distinctive noteheads:
Traditional Notation |
Simplified Music Notation |
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The traditional oval note is used where a note is natural.
Key Signatures
The traditional sharp and flat symbols in the key signature are
replaced by the sharp and flat noteheads of Simplified Music Notation:
Change of Key
If there is a key change in the middle of a piece, the new key
signature is shown without naturals to ‘neutralise’ the previous key:
The exception to this is where the key changes to C major or A
minor, where ‘neutralising’ naturals are put in to make this clear.
Instead of the traditional natural symbol, an oval notehead is used:
History Signs
History Signs are not accidentals, but are there to mark where
accidentals used to be.
In Simplified Music Notation, double sharps, double flats, B and E
sharps, C and F flats are all transposed to the position on the stave
on which they are actually played.
To show that these notes have been transposed, they are preceded by
a History Sign. This explains the origin of the note for the benefit
of the theorist, but can be ignored when playing. Like accidentals,
History Signs are not repeated within a bar (measure).
To show that these notes have been transposed, they are preceded by
a History Sign. As in traditional notation, History Signs are not
repeated within a bar (measure):
Enharmonic Signs
Enharmonic notes are two notes that are written differently but sound
(and are played) the same, for instance: B sharp and C natural. However,
because all notes in Simplified Music Notation are written on the staff
lines on which they are played, a natural that follows a transposed enharmonic
note within the same bar is preceded by the ‘N’ (natural) symbol, to clarify
how it was originally written.
Comparison
Examples
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